Tech Tips October 1995
by Wayne R. Palmer
A recent article in the October issue of Popular Photography seems to paint some sad news about the quality of lens sharpness. Several members have brought it to my attention. I would recommend you all read it if you are in the pursuit of excellence with your photo equipment. At first glance one would presume that manual focus lenses out perform autofocus lenses. But if you read carefully, thats not really what the article intends to report. Here are some of the conclusions.
It is possible to manually focus a manual focus lens more acurately than to manually focus an auto focus lens. This is simply because the focusing screen in an autofocus camera is brighter and lacks the contrast of a manual focus camera. In simple words to acheive this accuracy you would have to use additional magnifications devices and have viewing screen that did not hav a focusing aid ie. split image or microdiaprism. An auto focus lens is not necessarily inferior in optics. These were bench tested results which were not noticeable to the naked eye.
So what if you can focus a manual focus lens better than you can manually focus an auto focus lens...who cares? The better question is can you manually focus a manual focus lens faster and more accurately than what an autofocus lens can perform automatically? (Is that a tongue twister or what?)
The biggest surprise of the article was negative film was found to be sharper than any slide film including Kodachrome 25!
Check it out!
Editors note - Last months meeting brought out some misconceptions regarding the use and effect of polarizing filters. The following article will hopefully end them.
Polarizing Filters
Polarizing screens do three things that are useful to a photographer. They darken blue skies, they remove or reduce reflections from non metallic surfaces such as water and glass, and they penetrate haze.
To understand how polarizing screens work, you need to know a few things about the nature of light. Light rays travel in straight lines. Lights rays also vibrate in all directions perpendicular to their direction of travel. When a light ray hits a nonmetallic surface the vibration in only one direction , or plane, is reflected completely. (All vibrations are reflected by a bare metallic surface.) Depending upon the angle at which youre viewing the light reflected from an object , vibrations in other planes are reduced or eliminated completely. This reflected light-vibrating in only one plane-is called "polarized light." The light from a blue sky is polarized because it is reflected off the nonmetallic particle in the atmosphere.
A polarizing screen will pass the vibrations of a light ray in one plane. Some polarizing screen have handles, and these screens pass the light vibrations in a plane parallel to the handle. When the polarizing screen is passing the light vibration of polarized light, youll see no effect on refections or the sky. Rotate the polarizing screen 90 degrees. In this position, the screen will not transmit the polarized light, so it removes reflections and darkens the blue sky. Polarizing screens will work only with polarized light because polarized light vibrates in one direction and the polarizing screen can eliminate that vibration. If you look through a polarizing screen and rotate it until you see it maximum darkening effect, youll see some light still reflecting from the scene. This light is the nonpolarized light in the scene and the polarized light vibrating in the plan that the screen will transmit. Youll use this light to take the picture.
If you want to get the maximum effect with a polarizing screen, the angle at which you view the reflecting light must equal the angle of the sun (or the original light source) to the reflecting surface. For example, if the sun is shining on water at a 60 degree angle to the waters surface.
A polarizing screen has a filter factor of 2.5 (increase exposure by 1 1/3 stops.) This filter factor applies regardless of how much your rotate the polarizing screen. In addition to this exposure increase for the polarizing screen, you must make any exposure increases required by the nature of the lighting. For example. for the dark sky effect, the scene must be sidelighted or toplighted, so youll need to add approximately 1/2 stop exposure the 1 1/3-stop increase required by the polarizing screen itself.
Allow about an additional ½ stop for subjects that show reflections, because reflections often make subjects look brighter than they are.
The only way you can darken a blue sky in color photography without changing the other colors in the scene is to use a polarizing screen. Youll get the maximum darkening effect when youre taking pictures at right angles to the sun and the handle of the polarizing screen (if it has one) is pointing at the sun. You can obtain various effects from light to dark by rotating the polarizing screen, and you can see the effect youll get by looking through the screen. After you decide which position of the screen produces the effect you want, be sure to keep the screen in that position when you put it over the camera lens. For example, if the handle was in the 3 oclock position make, sure its in the same position when the screen is on the camera. If you have a single lens reflex camera, you can see the effect through the viewfinder while you rotate the screen.
You can improve color saturation with a polarizing screen because it reduces reflections which desaturate the colors. You can also reduce annoying reflections in scenes that include water, glass or other shiny surfaces. Look through the polarizing screen while rotating it to see how you can control the reflections. As we said before, getting the maximum effect with a polarizing screen depends upon your angle to the subject as well as the rotation of the screen. If you cant remove the reflection completely, try changing your angle to the subject. Dont expect t control reflections from bare metal surfaces, because the light reflected from these surfaces is not polarized and the screen will have no effect.
Excerpt from Kodaks - Filters & Lens Attachments
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